Mobb Deep, вЂњShook Ones Part II,вЂќ produced by Havoc It all came together on вЂњC.R.E.A.M.,вЂќ a smear of organs, church-y wails, and an unforgettable piano melody that perfectly represented the bleak hood nightmares described by Raekwon and Inspektah Deck.ДҐ. His dusty, rich soul samples -В here courtesy of the CharmelsвЂ™ вЂњAs Long As IвЂ™ve Got YouвЂќ -В inspired folks like Kanye West and Just Blaze, and the drunken drum loop popularized swinging drums in an age of quantized, clockwork boom-bap. The backdrop for Wu-TangвЂ™s most iconic song, this beat exemplified RZAвЂ™s ridiculously prolific peak period. Wu-Tang Clan, вЂњC.R.E.A.M.,вЂќ produced by RZA It was dizzying and satiating, all at once, playing background to some of the finest bars from the Bad Boy crew.Д¦. But the peak of The HitmenвЂ™s output came with вЂњAll About the Benjamins,вЂќ helmed by Deric вЂњD-DotвЂќ Angelettie, who slowed down a guitar lick from Love UnlimitedвЂ™s вЂњI Did It For LoveвЂќ and made it the centerpiece atop whizzing percussion. Puff Daddy typically leaned on his production group The Hitmen to mine samples from вЂ60s and вЂ70s records and flip them into shiny bucolic fare ( Notorious B.I.G.вЂ™s вЂњMo Money Mo Problems,вЂќ Puff DaddyвЂ™s вЂњBeen Around the WorldвЂќ). Puff Daddy and the Family, вЂњAll About the Benjamins,вЂќ produced by Deric вЂњD-DotвЂќ Angelettie

With вЂњDrop It like ItвЂ™s Hot,вЂќ the Virginia duo provided a breathable landscape comprised of fingersnaps, mouth clicks and a Juno 106 synth that combined to form a beat that harnessed the pure keyboard sounds of the вЂ™70s and surrounded it with highly experimental percussion that paid off.Д§. But their best instrumental slots in the latter. Since the beginning of their reign as two of rapвЂ™s greatest creative minds, the NeptunesвЂ™ Pharrell Williams and Chad Hugo proved to be masters of both minimalism ( ClipseвЂ™s вЂњGrindinвЂ™вЂќ) and maximalism ( Gwen StefaniвЂs colossal вЂњHollaback GirlвЂќ). Snoop Dogg featuring Pharrell, вЂњDrop It Like ItвЂ™s Hot,вЂќ produced by The Neptunes

Some have become outdated, but the one that still sounds the most like the year 3000 was given to Jay Z for his classic вЂњN-a What, N-a Who?вЂќ With its strobe synths and stuttering drums, Timbo provides a sonic template with pockets of silence that Jay fills with a constantly shifting meter. Timbaland has always had a genius knack for crafting beats that sound like theyвЂ™re from the future. Jay Z featuring Amil and Jaz-O, вЂњN-a What, N-a Who?,вЂќ produced by Timbaland That rat-a-tat snare breakdown is the probably most copied drum fill in recent memory.Д©. Nothing more than a hypnotically repetitive patois vocal sample (from a ridiculously obscure Tribe Called Quest remix) over an 808 drum kit, itвЂ™s ridiculously simple, but you could freestyle over it endlessly. Perhaps the most influential beat of the 21st century, this Bangladesh banger single-handedly started a new wave of trap that took the early innovations of Atlanta cats like Shawty Redd and DJ Toomp to the future. Lil Wayne, вЂњA Milli,вЂќ produced by Bangladesh Read on for our countdown of the top 10 hip-hop beats of all time.ДЎ0.

Dre -В who have minted the best beats in the genreвЂ™s history. Since hip-hopвЂ™s inception, producers spanning The Bomb Squad and J Dilla to Just Blaze and Kanye West have crafted instrumentals that have stood the test of time, but none more so than a handful of premier craftsmen - DJ Premier, Pete Rock, Dr. See the All-Time Charts: Billboard 200 AlbumsВ | Billboard 200 ArtistsВ | Hot 100 SongsВ | Hot 100 ArtistsД¬reating the perfect beat is a combined matter of timing, creative genius and just the right rapper to complement it.

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